Saturday, 24 November 2012

Indian Culture Music

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Indian Culture Music Biography
Music plays a significant role in Indian culture. It is a product of the ages and centuries of culture and civilization, comprising of musical melodies, paintings, recitations and art and crafts. It too has its origins in the Vedic period. In the ancient era, most people believed in the practice of recitation. Most of the ancient literature - Vedas, Shrutis and Smritis were verbally communicated, and their chronicles in the form of text occurred much later. Musicians are known to have sung melodious songs of devotion and philosophy, sometimes even memorizing the whole tunes and notes, before passing them down the generations in this manner.India is believed to be the birthplace of the ‘Raga’ and ‘Swaras.’ There are also some musical instruments of ancient India, namely the sarod, veena, sarangi, tambora, harmonium, ghatam, tabla, tanpura and sitar.Vocal music however is made up of the creations of the Hindustani gharanas and the Carnatic banis. Ancient Indian culture music is known to have influenced not onlyIndian music but also world fusion music.
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Musical meters and rhymes formed an integral part of ancient classical music. The original musical scale in India consisted of twenty-two microtones, known as shrutis. The musical observers acquired the different gradations of musical sound from the call of birds and cry of animals, and grouped them under twelve notes. This scale of twelve notes known as swaras are also known to have formed the international basis of the music of the East and the West.
Trivia/ Quotes
Musical meters and rhymes formed an integral part of ancient classical music. The original musical scale in India consisted of twenty-two microtones, known as shrutis. The musical observers acquired the different gradations of musical sound from the call of birds and cry of animals, and grouped them under twelve notes. This scale of twelve notes known as swaras are also known to have formed the international basis of the music of the East and the West.
Music has always occupied a central place in the imagination of Indians. The range of musical phenomenon in India, and indeed the rest of South Asia, extends from simple melodies, commonly encountered among hill tribes, to what is one of the most well- developed "systems" of classical music in the world. Indian music can be described as having been inaugurated with the chanting of Vedic hymns, though it is more than probable that the Indus Valley Civilization was not without its musical culture, of which almost nothing is known. There are references to various string and wind instruments, as well as several kinds of drums and cymbals, in the Vedas. Sometime between the 2nd century BC and the 5th century AD, the Natyasastra, on Treatise on the Dramatic Arts, was composed by Bharata. This work has ever since exercised an incalculable influence on the development of Indian music, dance, and the performing arts in general.
The term raga, on which Indian music is based, was first discussed at any length in the Brhaddesi, a work from the 10th century attributed to Matanga. In the 13th century, the theorist Sarngadeva, who authored the large work Sangitaratnakara, listed 264 ragas; by this time, the Islamic presence was beginning to be felt in India. Some date the advent of the system of classical Indian music as we now know it to Amir Khusro. Muslim rulers and noblemen freely extended their patronage to music. In the courts of the Mughal emperors, music is said to have flourished, and the composer-musician Tansen was one of the jewels of Akbar's court. Though songs had traditionally been composed in Sanskrit, by the sixteenth century theywere being composed in the various dialects of Hindi -- Braj Bhasa and Bhojpuri among them -- as well as Persian and Urdu. The great poet-saints who chose to communicate in the vernacular tongues brought forth a great upheaval in north India and the bhakti or devotional movements they led gained many adherents. The lyrics of Surdas, Tulsidas, and most particularly Kabir and Mirabai would henceforth be set to music, and bhajans, or devotional songs, continue to be immensely popular.
By the sixteenth century, the distinction between North Indian (Hindustani) and South Indian (Carnatic) music was also being more sharply delineated. Though music in the north, owing to the strong Muslim presence, had been more open to outside influences, in the eighteenth century South Indian musicians were to show themselves as being quite adept in adopting foreign instruments. Sometime in the mid-eighteenth century, the violin entered the repertoire of South Indian music, an instrument which in the late twentieth century has a dazzling array of extraordinarily brilliant performers. Classical music, both Hindustani and Carnatic, may be either instrumental or vocal: the connoisseurs of music maintain, as one might expect, that the vocalists represent the music in its greatest glory, but instrumental music has at least just as large a following. Though traditionally this music would have been performed in temples, courts, residences of noblemen and other patrons, and in small gatherings (called baithaks) of music aficionados, today most classical music concerts are held in concert halls.

Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
Indian Culture Music
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